Burke versus Gramsci – the Great British Institution and the Conservative Dilemma

 Conservatives look to Edmund Burke as their great founding father.  Central to Burkean thought is the institution with its historical memory as a repository of the wisdom of the ancestors.  In terms of modern philosophy and the Burkean tradition one might also look to Alasdair MacIntyre in his account of institutions and nations acquiring a tradition of virtue and as a Burkean opponent of Burke’s dreaded sophists, economists and calculators .

If conservatism depends for its philosophy upon manmade institutions there is always the risk such institutions will prove fatally fallible and corruptible.  Such could well be the problem in today’s United Kingdom.  Unlike the United States with its revolutionary origins, there has not been such a strong suspicion of Government and institutions within the British Right, sometimes quite the opposite.  The Crown and the Church as Margaret Thatcher once outlined are of far greater import to a Tory than the economy.  This perspective, it should be remembered, was held by the Conservative Prime Minister now looked to as an exemplar by today’s sophists, calculators and economists – the libertarian and neoliberal Right.

Margaret Thatcher though experienced the problem of the dilemma I intend to outline at first-hand.  All the British institutions, the Church of England, the BBC and even the hierarchy of the Conservative Party were opposed to her.  This tension has only grown more stretched and extreme.  While the Conservative Party has moved culturally to the Left, it is still faced by a hostile hard Left in control of the institutions that it should naturally be at home with.

The Church of England is no longer the Conservative Party at prayer, as the saying had it.  The BBC is faced with calls to be defenestrated by conservatives not radicals, because of its cultural Marxism.  Even the Conservative Party itself, at least its high command, is now a proponent of the hard-left cultural agenda in terms of same-sex marriage, “diversity” and equality of outcome.

It seems as though the Gramsci agenda of the “long march through the institutions” as extreme Leftist German-activist Rudi Dutschke put it, has been emphatically achieved in Great Britain.  The universities, including Oxford and Cambridge, the BBC, the Church are all advocates of a hard-line cultural Marxist agenda dressed up in palatable phrases such as “diversity”, “equality”, “openness”.

So what does a Burkean conservative do when the institutions its whole philosophy seeks to conserve and be guided by have fallen into the hands of the Marxists?  One answer is the populist response, looking to the American Right as an example.  Here characters like Nigel Farage and Aaron Banks are notable champions for such an agenda.  Indeed, despite being placed upon the Right, their populist agenda sometimes puts them on the Left.  For example, whereas an earlier Eurosceptic like Enoch Powell was a keen defender of the House of Lords, as well as the Crown and the established Church, Farage and Banks are radical constitutional-reformers.

The other response is the classically liberal agenda, advocated by the sophists, calculators and economists that conservatives should instinctively distrust.  From this free-marketeer liberal perspective privatisation rather than conservation is the answer to the BBC’s political subversion.  The free market is not really a conservative response to dealing with preservation of the institution.  We are not talking about a nationalised industry, but a British institution which is a custodian of many great British traditions.  Would commercialisation and advertising culture really be a conservative answer?

One might contrast arch-liberal free-marketeer George Osborne with populist Nigel Farage as two contrasting answers to the Gramscian victory within British institutions from Oxbridge to the BBC.  To abolish our institutions though is surely not a conservative solution, whether it be BBC privatisation or Church disestablishment. 

The populism of Brexit might have unleashed patriotic forces against the Gramsci institutions, but populist nationalism is not inherently conservative, as any cursory knowledge of Nineteenth Century nationalism will tell us.

It is undoubtedly the case that while the Right and conservatism look to be in the ascendancy, the whole movement is riven by internal contradictions.  This new populism rightly unleashed against the EU has now turned on British institutions like the House of Lords (admittedly corrupted into a culturally Marxist institution by the likes of Blair, Cameron and Clegg).  It could just as easily turn upon the Monarchy and nationalism again would have reverted to its radical-Leftist Nineteenth-Century roots.

It has to be admitted that when the Marxists own and control what you are trying to defend it is difficult to know how to proceed.  The only answer I believe is not one for people looking for instant solutions.  Only a gradual return to the values of Tradition will rescue our institutions and our culture.  And this might have to be carried out in a radical and unconventional way, outside of the apparatus of British institutions.  It might mean home schooling of our children, to teach them traditional values outside of the Marxist-run education system.  It might mean leaving the Church of England as a Church of Laodicea for a more traditionalist denomination that might feel foreign at first, such as Eastern Orthodoxy.  It might mean stepping back from the rat-race of the neoliberal economy with more self-sufficiency and less consumption.  In short it might mean letting the light of conservative tradition shine before men as an example, rather than trying to fight for it and impose it through democratic elections and the party system.  From the small acorn and with Providential nurture we might see a large oak of conservative counter-culture grow that provides a genuine alternative to the anomie of cultural Marxism and its insipid shadow, neoliberalism.  Only with a cultural change, rather than election victories will conservatives see their institutions restored and again linked back to the Burkean wisdom of ancestors. 

It ain’t over until the woke lady sings – The Battle of the Proms

 

Over the years the conductors and the BBC itself have become increasingly uncomfortable with the popular and patriotic music of the Last Night of the Proms.  For that one night only, the British are allowed to take pride in their nation and celebrate who they are and where they are from.  The woke British Broadcasting Corporation dislikes anything that celebrates Britishness, dominated as it is by the contrary woke-ideology that encourages the validation of disparate identities at the expense of the mainstream population.

Fearful of a head-on confrontation with the British public, up until now the Beeb has attempted to subvert the Proms from within.  It has selected lesbian conductors and sopranos and tried to turn a celebration of Britishness into a celebration of woke British values.  Instead of that which has traditionally been understood as Britishness – rooted in a Christian society that values virtues such as stoicism, courage and martial valour – the non-values of Sodom and Gomorrah are celebrated.  This Trojan Horse strategy of subverting patriotism from within, so that to wave the Union Jack means you also support the waving of the LGBTQ + rainbow flag, is very clever.  Meanwhile across the world our political class promotes values inimical to traditional society and calls this disastrous identity politics “British values”.

People are naturally patriotic and particularly on a party night like Last Night of the Proms they are easily susceptible to having a nefarious agenda slipped past them.  No one wants to be a party pooper.  The BBC’s Last Night of the Proms therefore got away with portraying Britishness as wokeness.

Nonetheless wokeness cannot hide its true colours.  It is not about unity or tradition, it is by definition hostile to what holds us together.  Wokeness is about creating disparate identities that define people as small and “oppressed” groups, downplaying and denying what unites them with their countrymen.  This is the corrosive and poisonous dogma of intersectionality.  It makes the marginal the mainstream at the expense of tradition and shared culture.  This is why the woke are sympathetic to the promotion of traditional Islam and feminism – seemingly contradictory ideologies.  This is not a contradiction if your overarching ideology is actually about destroying the mainstream culture and eradicating tradition.  Contradictory perspectives and ideologies are equally worthwhile of promotion if you wish to destroy Christian society.

Now there is not that much explicitly Christian about Last Night of the Proms (apart from Jerusalem).  Rule Britannia is from the Seven Years War when our Protestant identity was far stronger.  Land of Hope and Glory being Edwardian is more from the zenith or peak of British imperialism when perhaps more Masonic and Deist ideas were in the ascendancy, but the composer himself was a Roman Catholic.  Nonetheless patriotism more than faith is what is celebrated, albeit with references to God natural to a Christian society.  The reason these pieces of music are a target is they support a coherent national identity and that national identity because of our culture and history is linked to being a Christian country.

Subversion by the BBC had been working and was powerfully symbolised in last year’s last night, with both EU and Rainbow flags being unfurled and waved.  Particularly symbolic was the choice made of the soprano for Rule Britannia.  A rather large bisexual or lesbian American was selected who unfurled not a Union Jack, but a Rainbow flag.  She also sang the innocent children’s song “Somewhere Over the Rainbow” with strong hints of sexualisation.  It really was decadent degeneracy.  In a free society people can follow their sexual leanings, but in a decent society one does not advertise that as an integral part of one’s identity, particularly for a national celebration meant for everyone such as the Proms.  Claiming to be inclusive this behaviour is really exclusive of most of us, who really do not need to know about someone’s preferences and passions in the bedroom . . .

The contrast seemed even more powerful because the beautiful Tartar soprano Aida Garifullina was outside in the park also singing Rule Britannia, as though the mainstream and the traditional ideas of beauty were banished to the outside, while the margin had moved into the centre.  Orthodox Youtuber Jonathan Pageau has talked extensively about the topsy turvy way the woke agenda places the marginal in the centre at the expense of the traditional and normative.

This rendition of Rule Britannia by the woke lesbian Jamie Barton was the very peak of the Trojan Horse strategy.  She was able to ride the patriotic cheers as though they were actually cheers for what she was inclined to do in her private bedroom (a fact she was all too keen to make public).

This strategy that was working now seems to have been abandoned.  Covid 19 has changed the strategy.  Just as we had to witness unrepresentative BLM demonstrators destroying the monuments of our history and identity so the newly appointed Proms conductor from Finland, Dalia Stasevska, sees Covid and our virtual house arrest as an opportunity to “sanitise” the Proms of our patriotic songs.  This really is sneaky, because just like the BLM demonstrators, the conductress feels she can make this move as the audience will not be there.  It is though a strategic blunder.

This move, to delete patriotic songs, just proves wokeness and patriotism are not compatible.  For the former is about minority identities at the expense of cohesion and the latter brings us all together.   Wokeness, let us be clear, is not simply about tolerance, but promotion of the abnormal, the irregular and the marginal at the expense of the traditional.  Its whole narrative thrives on painting history and shared identity as oppressive of minorities who are of more importance than the majority.  So it was never really true that British values could be woke values.

Britain is a tolerant country, but tolerance is not the same as active promotion of the marginal.  Britain has a history we are proud of that has allowed a space for the margin, but has not attacked the mainstream tradition.  It is a history based on the recognition the mainstream does not need to oppress the margin.  Wokeness, with its cultural Marxist philosophy cannot accept tolerance, because really its programme is all about revolution.  It aims to overturn the normative and will utilise disparate groups and interests to do that.  As with all revolutions it is not promoted by the ordinary working class, but by a narrow group of privileged intellectuals who do not share the concerns of normal people.  Sadly this narrow group dominates in fields like the media, especially the BBC.

What will now happen is that the ordinary public, Sir Henry Wood’s key audience, who so love the Proms will react and no longer accept the woke propaganda, being revealed for what it is and what it is hostile towards.  Thus if the proposal goes ahead, the Proms would become a narrow world for the self-important woke and privileged.  Patriotic music is so often a way into the world of classical music for those not fortunate enough to have been educated through the private system and university (where nowadays you seem to learn to sneer at tradition).  The Brexit voters are the descendants of Sir Henry Wood’s target audience. 

The BBC might see its legitimacy at stake, when the unpopularity of the proposal becomes clear.  Most likely a “compromise” will be found in a dispute that never was other than in the inflamed imaginations of the privileged media class, so the songs will remain, but sanitised and made bland.  Nonetheless, what has happened is a major error.  The woke, having wormed their way into British life have now clearly cast their ideology as the opponent of patriotism.  We can now hope that when the woke soprano sang, it was the swansong of using patriotism as a mask for the woke agenda.